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My last upload, a The Sims 2 style alien skintone for our simmies, seemed rather popular, so I thought I might as well expand on that idea and convert that skintone for our actual aliens in Get To Work! It comes in a whopping 11 flavours, so hold on to your butts as I walk you through them!

Oh, and keep your eyes peeled, there’s a teaser for my next project hidden somewhere in the screenshots. There are 9 alien skintones in Get To Work , each of which has a corresponding default replacement package in ‘QahneAlienReplacement-Separate. So, if I want all of my aliens with, say, lavender skin tone no. You can mix and match these separate replacements in any combination you’d like, so get creative! Its heavy-duty cast metal and metal construction continues the workpiece steady and backed, while the conveniently located two-speed gear package allows for quick and easy feed price modifications.

This device means company with a powerful 3 HP induction electric motor. A large cast.. This zip file contains the device drivers, release notes, user guide, and software developers manual. If there is a way to manually change this I would be grateful. Edges look real bad and photoshop wont sharped images. DJI has pared down this offering a bit with their latest subg release, the Mini 3. Is it worth the investment? Apple has announced it intends to release advanced security features to protect various data stored on iCloud, including photos.

The new photo protection adds full end-to-end encryption for users’ saved images, provided they opt-in to the new Advanced Data Protection option. Creativity comes in ebbs and flows. Recognize your pattern, kill your ego and embrace what you don’t know to improve your skills, fast, and remain a lifelong learner. Chinese smartphone maker Tecno has announced a new flagship smartphone at an event in Dubai.

The Phantom X2 Pro includes a triple-camera rear array featuring a retractable smartphone camera with a 50MP sensor and 2. Photographer Benedek Lampert took a massive LEGO Eiffel Tower into downtown Budapest to capture a nighttime photograph that made the replica tower look almost as real as its much larger, more metallic Parisian predecessor.

Perpetual license owners will receive bug fixes until the next major release, but new the features and functionality you get at launch is what you have to work with going forward.

Chris and Jordan recently spent a delightful afternoon sharing their list of the year’s best and worst camera gear. Now that their hangovers have worn off, they’ve prepared a more sober reflection on their choices. Pixelmator 3. The new features include brand-new video editing tools and support for additional motion-based designs and file formats.

The winners of the International Landscape Photo of the Year awards have been announced, showcasing stunning natural beauty from around the world. The Loupedeck Live S is now available following a successful crowdfunding campaign. The new editing console is Loupedeck’s most affordable and compact product, making it a great choice for beginners or photographers on-the-go. As someone who came of age in the digital world, I never thought I’d be a fan of film photography.

One film class in high school, however, changed my outlook on the analog art form. The latest iteration of ON1 Software’s flagship Raw editor is jam-packed with AI smarts that aim to lighten your workload by taking subjects into account when making selections, applying presets, keywording and more.

Find out if it’s right for you in our review! Landscape pro Erez Marom takes a look at how to best achieve a sense of depth in landscape photographs. It’s that magical time of the year when Chris and Jordan look back on the year’s best and worst releases of photo and video gear. Tradition dictates a drinking game, and this year it’s a doozy Film photography is continuing its revival. New films are being announced, new cameras are being unveiled and we’ve rounded up a collection of film photography items you might want to consider getting over the holidays.

Portrait photographer Markus Hofstaetter knows a thing or two about capturing eyes of subjects. For his latest project, however, he takes eyes to the extreme with super-close-up macro photos of irises, showing eyes in a new, alien-like light. When it comes to workflow, organization, and archiving years of accumulated photos and videos, everyone has their own system.

DPReview’s Jason Hendardy highlights a few items that have worked for him throughout the years, while also asking our community to share their approaches and what’s been working for them. Shotkit surveyed 1, amateur and professional photographers to see what cameras they used for professional and personal work.

The results were interesting in more ways than one. For many film photographers, a light meter is a critical part of their kit. Reading mode: Light Dark. Login Register. Best cameras and lenses. Now reading: Exposure X7 software review: More powerful masking and a UI that adapts to your needs 61 comments. Customizable workspaces help you focus on just the tools you need Although at first glance it appears very similar to its predecessor visually, Exposure X7 nevertheless brings with it a slew of new and updated features.

For the most part, Exposure X7’s user interface looks very similar to that of its predecessor. Click here for the full-sized image at strength 0, or here for the image at strength 0.

Click here for the full-sized image without fine texture restored, or here for the image with fine texture strength 0. Exposure X7’s noise reduction is in the same ballpark as Adobe’s, although I’d still give the latter the edge. Take a look at how Exposure and Adobe Camera Raw handle different images when using their ‘automatic adjustments’ features. Tags: review , software , software-review.

View Comments Comments All Too small a market no matter how good it is. Leonard Shepherd The comparison seems to be with old Lightroom software. John Sevigny Adobe is still sadly the best software option. Emerywd I recently upgraded from x6 to x7 and am finding it is completely unstable.

It often crashes shortly after start, Have messaged supoort but had no response. Tried with and without GPU setting, Win 10 and 11 and same problems. X6 is still working ok New masking function is an improvement, but still needs fine tuning at time.

Right, Exposure certainly has some cataloging capacities. MannyV Not a comment on Exposure software. My point is that better is not the same for everybody. I’ve not tried it. I tried John Sevigny Me too. EMs I just tested X7 and uninstalled it right away. Photo-Wiz I’m still happily using LR 6 – no subscription.

Aearenda For me, Exposure is let down by its Panasonic M43 lens corrections – PhotoLab and Lightroom are close to each other but Exposure is often noticeably different for my gear. DotCom Editor ” Hell froze over. DocBobB Agreed.. Discombobulated my nightmare is when one day I need to switch editing software I will lose all my efforts and needed to redo everything again.

They’re an universal format? String “I need to switch editing software I will lose all my efforts” why would you lose all your effort? Souciantmag The unified crop-transform tool was a mistake in my view. Reilly Diefenbach “Key takeaways: Provides equivalents for most core Lightroom features with no subscription needed” No, actually it doesn’t, because one of the “core features” of the photography plan is Photoshop.

Mescalamba Few USD per month is how it starts. Wait, we already there.. But I skip that irresistible offer and keep my money. String Mescalamba – its the same price as it was when it came out 9 years ago.

Mescalamba String Its not product, its service. Product was stand-alone buy once – use forever PhotoShop. PS CC is a service. McArchive Buying an update once a year is different than a subscription how?

John Bean UK You chose to buy the upgrade if you need it. A subscription has no such choice. Choice is good. McArchive Sure it does, and yes it is. McArchive If you’re asking me then, if needs be, yes. Did you read the very first sentence? McArchive if you say so. I do buy socks in pairs though so I’m not forced to hop. You may also like. Nikon Z30 review. Latest sample galleries.

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But im looking for something to give me classical effects! I’m sure ti is a very competent application, but it seems to feature its ability to integrate with the Adobe products which already have the features that Alien Skin offers. It seems redundant. Have I missed something? What would be nice is a plug-in that would feature as nice a content-aware tool available in PS that would work equally well in LR.

The ability to have layers and layer masks in LR would also be nice. But as it stands, at least according to the Alien Skin website, their application is redundant to LR. If I have missed something, I would appreciate responses from those who have actually used this product. You have missed the film presets, the starting point of editing in this program? Lightroom does not offer such a feature, at least not that good.

You could always use Exposure as a Lightroom plugin though, and have the best of both worlds. For that reason alone, the new Alien Skin app. As for film simulations, that is ,to me, of limited value.

Alien Skin is welcome to the fray and given further development and future upgrades it may be really competitive. Right now it isn’t IMO. I actually like it quite a bit. It gives you a lot of creative freedom as an addition to PS and LR. I DL the new version for free since i have been using the other version for a while and so far it looks great. Any tool that will help you think outside the box and another tool to be creative with is great in my opinion.

There is a “try”. A quick click or two could get you a demo here. It works for me very well. I cannot find in the specs what the maximum pixel size is that exposure X can handle before the textures get unsharp.

With other words: what are the dimensions of the added alpha channels which are called textures or overlays. Is is possible to add custom textures? I just checked out a tutorial by Jimmy Beech for importing Textures into Exposure 6. It works exactly the same for Exposure X. You can import 1. Textures, 2. Light Effect and 3. Borders once imported replace pixels on the edge and I believe are not “adjustable” in the software. Imported Textures and Light Effects are.

You can separately import the same image into all three categories as well. It’s not bad – but it tends to cater too much to the preset-one-click crowd in my opinion And that “bokeh” settings: rather appalling – the results of these kind of “automatic bokeh effects” are always so artificial and easy to spot The presets are pretty good though.

And when used as a starting point you can come up with some very personal results. I took one photograph and edited it in both C1Pro and Exposure X. In C1Pro it costed me 10 minutes to come up with something I liked. In Exposure it took me like 2 minutes.

When I compared both results I liked my Exposure edit a lot better But hey, these matters are so personal it’s impossible to claim one program is better than the other.

What works for you is what counts, not my or anyones else’s experience or opinion ;-. It takes some time to set up your workflow at the beginning, create your own presets etc For me those standard presets give you the same kind of look all over I’d rather have 10 – I’ve set up according to my taste and get rid of the rest.

I’m not saying Exposure X is bad – don’t get this wrong Why would you buy a D and the use “Scene Modes” – preferred they would have given that space on the dial to something else or make it customisable I’m with Wiggle Foot on this one. It’s important and encouraging to see some competition facing up to Lightroom. Adobe desperately wants all of its users to convert over to its subscription model Hopefully, competitors will keep Adobe on the straight and narrow, and if not, well, it’s nice to know there are places I can go.

I completely agree about competition being good I’ve bought C1Pro non subscription and am pretty fond of it. I guess at some point LR-CC will be the only one left adobe. But I get the negative aspects too Something I see neither with c1pro nor previously LR. It has been my editor of choice since early s. They also offer day trial. I never was a fan of Adobe products, and I would not use them. There are plenty of other affordable editors on the market, including some good ones that are free.

But comparing Exposure and Adobe’s products is like comparing fast food and a five star restaurant. Exposure is simply at another level altogether. For years I figured that whatever programs like Exposure offered, I could duplicate pretty well in Photoshop or Lightroom — little did I know. From Black and White conversions to analog emulations, Exposure is a revelation. And Exposure’s lens simulator Bokeh module is phenomenal — having shot with some of the lenses modeled, I was stunned at seeing a realism I honestly did not expect.

This is not about Adobe bashing — their products have been an invaluable tool — but I wanted to move beyond the mechanical presets of Lightroom to actually creating — in the same intuitive way I once painted on canvas or ‘made’ photographs instead of merely taking them. If you want the power of applying not a ‘look’, but an unlimited visual language to your work, Exposure and On1 are the way to go.

Always funny to read 2 completely opposing opinions on a key feature in the same thread.. I’m all for another program on the market..

Do we really need another photo editor? I believe Capture One can also do non-destructive edits. Although NX-D, well I suspect there are others out there also. The film filters seem nice, but the same kind of effects are available from 3rd-party add-ons, so I don’t know that someone would buy the program for those alone.

I don’t remember how many of the programs I cite are available for both. Mac availability might give it a leg up. Competition in this area is a good thing and is giving people choice.

Nobody forces you to use it. Nothing’s ‘wrong’. My point is just wondering how large a market there is for another.

In an crowded field, you have to do something unique to succeed. So we will need to see if the AS program does that.

I think we just need a texture overlay tool in Lightroom. Maybe a more advanced HSL tool to push colors much further. It’s got everything else. It is a really nice piece of software but still needs some tidying up. There is no histogram, the space between the menu items on the side bars is too great resulting in lots of scrolling to get to them. It would be great to be able to place components of the sidebars on a different monitor and have the image being edited on full screen on another monitor.

Otherwise first impressions are very favorable especially with all of the film filters available. It is time Lightroom had a competent competitor. Alien skin is an excellent company and I have been using their software for a number of years with excellent results and it is also very stable. And when one uninstalls the app it leaves a lot behind, and that is one thing I really dislike that this is usual is no excuse. Think yourself lucky – it doesn’t even install on my Windows 10 notebook.

It says it’s ready for use but the shortcut it creates has a “This PC” icon and clicking it just opens Explorer. Tried several times, no success. I suspect it needs more testing before it’s really ready for release. John, we’d love to help you solve this installation problem.

Can you please get in touch with our support team? Ralf, Almost all software intentionally most likely will leave its keys in the registry, it’s user data, If you try an uninstaller utility, such as Revo Uninstaller there are several others , then you would have a clean uninstall.

Revo comes in both, free and paid versions. I was wondering when this would hit the News section here.

Alien Skin sent me a download link and license key a couple of days ago. Kudos to Alien Skin for providing their users with a free upgrade to a new major version. Aren’t all modern pp software non-destructive in their default mode these days? It’s simply a matter of keeping the original file and saving the edits in a new file automatically unless the user overrides it.

Putting it in the headline implying its a unique feature when just about everything works that way nowadays doesn’t make sense. You need to do a little homework Thanks for the paper reference. It says “In general, NDI refers to imaging processes where the source image may be adjusted in a way that leaves the original data intact.

There are several different ways to accomplish this type of adjustment, each with its own uses, strengths, and weaknesses. Which is what I was talking about above particularly in the simplest, most general way that most people understand it.

So I stand by my op. Except that the “save the original and keep the edited copy” can use up more space than “keep the original and a script of all the modifications”.

And the non-destructive method can more easily implement a layered undo, which may not be fully implemented in a live-edit process though it can be. In any case, there are very few live-edit programs that actually destroy the original maybe some dumbed-down phone apps? Well, PS is destructive and its for a reason. Beyond some point of complexity, storing a script just won’t do it. Or be actually lareger than an image copy. If your editor saves a “COPY” of the original, but not the original, then the original remains as is even if you open it times, but not save it.

The copy that the editor makes not all editors make such a copy automatically undergoes some compression a JPG mathematical algorithm compressor, another topic that’s outside this discussion , which you may think of it for simplicity as some sort of data sampling, as opposed to continuous, analog data.

Save a JPG file 50 times or more for experimenting and you’d end up with an image that looks like it was taken in the s. If you want to save in a lossless format, you may opt for the PNG format, and there are other lossless formats, but some of them create huge file sizes. To store an edited image non-destructively, you could, e. Not many image editors or other programs support XMP.

TIFF creates huge file sizes. PNG supports lossless compression. While it boasted quite a few advanced features, it was accompanied by a hefty price tag. DJI has pared down this offering a bit with their latest subg release, the Mini 3. Is it worth the investment? It’s powered by the same impressive tech that guides self-driving vehicles and can detect and avoid obstacles from every angle.

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Is it good enough to enhance your videos and photos? We’ve combed through the options and selected our two favorite cameras in this class. These capable cameras should be solid and well-built, have both the speed and focus to capture fast action and offer professional-level image quality.

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Watch as photographer Markus Hofstaetter restores a year-old Century No. Apple has announced it intends to release advanced security features to protect various data stored on iCloud, including photos. The new photo protection adds full end-to-end encryption for users’ saved images, provided they opt-in to the new Advanced Data Protection option.

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Photographer Benedek Lampert took a massive LEGO Eiffel Tower into downtown Budapest to capture a nighttime photograph that made the replica tower look almost as real as its much larger, more metallic Parisian predecessor. Perpetual license owners will receive bug fixes until the next major release, but new the features and functionality you get at launch is what you have to work with going forward. Chris and Jordan recently spent a delightful afternoon sharing their list of the year’s best and worst camera gear.

Now that their hangovers have worn off, they’ve prepared a more sober reflection on their choices. Pixelmator 3. The new features include brand-new video editing tools and support for additional motion-based designs and file formats. The winners of the International Landscape Photo of the Year awards have been announced, showcasing stunning natural beauty from around the world. The Loupedeck Live S is now available following a successful crowdfunding campaign. The new editing console is Loupedeck’s most affordable and compact product, making it a great choice for beginners or photographers on-the-go.

As someone who came of age in the digital world, I never thought I’d be a fan of film photography. One film class in high school, however, changed my outlook on the analog art form. Landscape pro Erez Marom takes a look at how to best achieve a sense of depth in landscape photographs. It’s that magical time of the year when Chris and Jordan look back on the year’s best and worst releases of photo and video gear.

Tradition dictates a drinking game, and this year it’s a doozy Film photography is continuing its revival. New films are being announced, new cameras are being unveiled and we’ve rounded up a collection of film photography items you might want to consider getting over the holidays.

Not everything one does in-camera is perfect out of the box, so it’s somewhat reassuring to be able to check up on shadows and highlights in post and do some corrections. In my humble opinion, too much a focus on the histogram may limit creativity. It limited mine. So now I edit my pictures based on feeling and I get better results on a calibrated monitor that is.

But I imagine this loss of control could be a problem for many. As an owner of a license for Exposure 7, I was surprised and disappointed to discover that, when I entered my license code for Exposure 7 I had the automatic upgrade from Exposure 6 to 7, btw , there was no free download at all but a 99 bucks price tag.

I chose an image that contained cacti, trees with leaves, gravel and sky. The image was a Fuji X shot which can produce mushy looking green leaves with some converters. Both LR and Irident Developer looked the best with Exposure X producing softer IQ and the green leaves looked mushy and edge definition of tree limbs was soft.

Irident developer which is my go-to converter for FujiXTrans images was the best of the three, although the latest LR was really pretty good; an improvement over earlier versions. IMO, Exposure X is not ready for prime time. I just gave it a spin and compared to what I’m able to do in LR, and despite it being fast and responsive and the organization, management, GUI being easy and intuitive, its actual image editing just isn’t good. I couldn’t even find the white balance control, which is critical to my workflow.

The way the tone curve controls are setup is not as intuitive as LR. Also, adjusting the exposure shadow would alter the saturation, and that is unacceptable. LR has separate controls for Blacks and Shadow, as well as highlights and whites, and that is a much better way to achieve desired results. Im going to give this a try.. I use Zoner as my catalog and I really like it!

But im looking for something to give me classical effects! I’m sure ti is a very competent application, but it seems to feature its ability to integrate with the Adobe products which already have the features that Alien Skin offers.

It seems redundant. Have I missed something? What would be nice is a plug-in that would feature as nice a content-aware tool available in PS that would work equally well in LR.

The ability to have layers and layer masks in LR would also be nice. But as it stands, at least according to the Alien Skin website, their application is redundant to LR. If I have missed something, I would appreciate responses from those who have actually used this product.

You have missed the film presets, the starting point of editing in this program? Lightroom does not offer such a feature, at least not that good. You could always use Exposure as a Lightroom plugin though, and have the best of both worlds. For that reason alone, the new Alien Skin app.

As for film simulations, that is ,to me, of limited value. Alien Skin is welcome to the fray and given further development and future upgrades it may be really competitive.

Right now it isn’t IMO. I actually like it quite a bit. It gives you a lot of creative freedom as an addition to PS and LR. I DL the new version for free since i have been using the other version for a while and so far it looks great.

Any tool that will help you think outside the box and another tool to be creative with is great in my opinion. There is a “try”. A quick click or two could get you a demo here. It works for me very well. I cannot find in the specs what the maximum pixel size is that exposure X can handle before the textures get unsharp. With other words: what are the dimensions of the added alpha channels which are called textures or overlays. Is is possible to add custom textures?

I just checked out a tutorial by Jimmy Beech for importing Textures into Exposure 6. It works exactly the same for Exposure X. You can import 1.

Textures, 2. Light Effect and 3. Borders once imported replace pixels on the edge and I believe are not “adjustable” in the software. Imported Textures and Light Effects are. You can separately import the same image into all three categories as well. It’s not bad – but it tends to cater too much to the preset-one-click crowd in my opinion And that “bokeh” settings: rather appalling – the results of these kind of “automatic bokeh effects” are always so artificial and easy to spot The presets are pretty good though.

And when used as a starting point you can come up with some very personal results. I took one photograph and edited it in both C1Pro and Exposure X. In C1Pro it costed me 10 minutes to come up with something I liked.

In Exposure it took me like 2 minutes. When I compared both results I liked my Exposure edit a lot better But hey, these matters are so personal it’s impossible to claim one program is better than the other.

What works for you is what counts, not my or anyones else’s experience or opinion ;-. It takes some time to set up your workflow at the beginning, create your own presets etc For me those standard presets give you the same kind of look all over I’d rather have 10 – I’ve set up according to my taste and get rid of the rest. I’m not saying Exposure X is bad – don’t get this wrong Why would you buy a D and the use “Scene Modes” – preferred they would have given that space on the dial to something else or make it customisable I’m with Wiggle Foot on this one.

It’s important and encouraging to see some competition facing up to Lightroom. Adobe desperately wants all of its users to convert over to its subscription model Hopefully, competitors will keep Adobe on the straight and narrow, and if not, well, it’s nice to know there are places I can go. I completely agree about competition being good I’ve bought C1Pro non subscription and am pretty fond of it.

I guess at some point LR-CC will be the only one left adobe. But I get the negative aspects too Something I see neither with c1pro nor previously LR. It has been my editor of choice since early s. They also offer day trial. I never was a fan of Adobe products, and I would not use them.

There are plenty of other affordable editors on the market, including some good ones that are free. But comparing Exposure and Adobe’s products is like comparing fast food and a five star restaurant. Exposure is simply at another level altogether. For years I figured that whatever programs like Exposure offered, I could duplicate pretty well in Photoshop or Lightroom — little did I know.

From Black and White conversions to analog emulations, Exposure is a revelation. And Exposure’s lens simulator Bokeh module is phenomenal — having shot with some of the lenses modeled, I was stunned at seeing a realism I honestly did not expect.

This is not about Adobe bashing — their products have been an invaluable tool — but I wanted to move beyond the mechanical presets of Lightroom to actually creating — in the same intuitive way I once painted on canvas or ‘made’ photographs instead of merely taking them.

If you want the power of applying not a ‘look’, but an unlimited visual language to your work, Exposure and On1 are the way to go. Always funny to read 2 completely opposing opinions on a key feature in the same thread.. I’m all for another program on the market.. Do we really need another photo editor? I believe Capture One can also do non-destructive edits. Although NX-D, well I suspect there are others out there also. The film filters seem nice, but the same kind of effects are available from 3rd-party add-ons, so I don’t know that someone would buy the program for those alone.

I don’t remember how many of the programs I cite are available for both. Mac availability might give it a leg up. Competition in this area is a good thing and is giving people choice. Nobody forces you to use it. Nothing’s ‘wrong’. My point is just wondering how large a market there is for another. In an crowded field, you have to do something unique to succeed. So we will need to see if the AS program does that. I think we just need a texture overlay tool in Lightroom.

Maybe a more advanced HSL tool to push colors much further. It’s got everything else. It is a really nice piece of software but still needs some tidying up. There is no histogram, the space between the menu items on the side bars is too great resulting in lots of scrolling to get to them. It would be great to be able to place components of the sidebars on a different monitor and have the image being edited on full screen on another monitor.

Otherwise first impressions are very favorable especially with all of the film filters available. It is time Lightroom had a competent competitor. Alien skin is an excellent company and I have been using their software for a number of years with excellent results and it is also very stable.

And when one uninstalls the app it leaves a lot behind, and that is one thing I really dislike that this is usual is no excuse. Think yourself lucky – it doesn’t even install on my Windows 10 notebook.

It says it’s ready for use but the shortcut it creates has a “This PC” icon and clicking it just opens Explorer. Tried several times, no success. I suspect it needs more testing before it’s really ready for release. John, we’d love to help you solve this installation problem.

Can you please get in touch with our support team? Ralf, Almost all software intentionally most likely will leave its keys in the registry, it’s user data, If you try an uninstaller utility, such as Revo Uninstaller there are several others , then you would have a clean uninstall. Revo comes in both, free and paid versions. I was wondering when this would hit the News section here. Alien Skin sent me a download link and license key a couple of days ago.

Kudos to Alien Skin for providing their users with a free upgrade to a new major version. Aren’t all modern pp software non-destructive in their default mode these days? It’s simply a matter of keeping the original file and saving the edits in a new file automatically unless the user overrides it.

Putting it in the headline implying its a unique feature when just about everything works that way nowadays doesn’t make sense.

You need to do a little homework Thanks for the paper reference. It says “In general, NDI refers to imaging processes where the source image may be adjusted in a way that leaves the original data intact. There are several different ways to accomplish this type of adjustment, each with its own uses, strengths, and weaknesses. Which is what I was talking about above particularly in the simplest, most general way that most people understand it. So I stand by my op. Except that the “save the original and keep the edited copy” can use up more space than “keep the original and a script of all the modifications”.

And the non-destructive method can more easily implement a layered undo, which may not be fully implemented in a live-edit process though it can be. In any case, there are very few live-edit programs that actually destroy the original maybe some dumbed-down phone apps?

Well, PS is destructive and its for a reason. Beyond some point of complexity, storing a script just won’t do it.

Or be actually lareger than an image copy. If your editor saves a “COPY” of the original, but not the original, then the original remains as is even if you open it times, but not save it. The copy that the editor makes not all editors make such a copy automatically undergoes some compression a JPG mathematical algorithm compressor, another topic that’s outside this discussion , which you may think of it for simplicity as some sort of data sampling, as opposed to continuous, analog data.

Save a JPG file 50 times or more for experimenting and you’d end up with an image that looks like it was taken in the s. If you want to save in a lossless format, you may opt for the PNG format, and there are other lossless formats, but some of them create huge file sizes. To store an edited image non-destructively, you could, e. Not many image editors or other programs support XMP. TIFF creates huge file sizes. PNG supports lossless compression.

The Sigma 20mm F1. Does it take pretty pictures though? We have the answers. Sigma’s been on a roll with their mirrorless Art series lenses. Does the new 24mm F1. It brings a new, 25MP sensor and bit 4K capture at up to p. We’ve put it to the test, both in the studio and out in the field.

In our tests it delivers big performance and offers a few good reasons why you might choose a 12th-Gen Intel laptop over a Mac. Canon’s high end APS-C mirrorless camera has plenty of compelling features, but is it worth the price? Jordan took it on vacation to find out. These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality.

What’s the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we’ve rounded-up several great cameras for shooting landscapes, and recommended the best. If you’re looking for the perfect drone for yourself, or to gift someone special, we’ve gone through all of the options and selected our favorites.

Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform.

In this guide we’ve chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media. The latest version of Sigma’s 20mm F1. Check out our gallery, including some astro images, to see how it performs! Two of the GPUs are designed for workstation desktops, while a third is for laptops. This second-generation adapter is smaller, faster and quieter than its predecessor.

Midwest Photo was robbed late last week after a stolen truck broke through the store’s front entrance. The store is in the progress of recovering from the damage and stolen goods. Photographers should be on the lookout for any suspicious product listings online. Travel with Peter to see how he shoots, and view some of the spectacular photos he captures along the way. Includes sample gallery. We go hands-on with Sigma’s latest ‘Digital Native’ wide-angle lenses for L-mount and Sony E-mount cameras to see what features they have and what sets them apart from the rather limited competition.

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